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What do you do if you're a producer who wants to make a tavel film, but have absolutely no money? You make it anyway. According to Doug Jones of L.A.'s Internaional Travel Films, one Austrian producer strapped a camera to the...
November 1, 1997

What do you do if you’re a producer who wants to make a tavel film, but have absolutely no money? You make it anyway. According to Doug Jones of L.A.’s Internaional Travel Films, one Austrian producer strapped a camera to the front of a train and let it roll. There was no voice-over, no music and no narration. The film went right to the local home-video market market – and made money.

Also in this report:
-New Directions
-Discovery Hits the Road
-Getting there isn’t enough
-Dan Rather Can Fly

About The Author
Meagan Kashty is an associate editor of realscreen, an international print and online magazine that covers the non-fiction film and television industries. Meagan is an award-winning business journalist. Prior to joining the realscreen team, Meagan was online editor of Canadian Grocer, named Magazine of the Year at the 2015 Canadian Business Media Awards. She can be reached at mkashty@brunico.com, and you can follow her on Twitter @MegKashty

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