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What do you do if you're a producer who wants to make a tavel film, but have absolutely no money? You make it anyway. According to Doug Jones of L.A.'s Internaional Travel Films, one Austrian producer strapped a camera to the...
November 1, 1997

What do you do if you’re a producer who wants to make a tavel film, but have absolutely no money? You make it anyway. According to Doug Jones of L.A.’s Internaional Travel Films, one Austrian producer strapped a camera to the front of a train and let it roll. There was no voice-over, no music and no narration. The film went right to the local home-video market market – and made money.

Also in this report:
-New Directions
-Discovery Hits the Road
-Getting there isn’t enough
-Dan Rather Can Fly

About The Author
Managing editor with realscreen publication, an international print and online magazine that covers the non-fiction film and television industries. Darah is an award-winning journalist who has spent over two decades covering a wide range of issues from real estate and urban development to immigration, politics and human rights, primarily with The Vancouver Sun. Prior to joining realscreen, she was editor of Stream Daily, realscreen's sister publication covering the dynamic global digital video industry. She also served a stint as a war reporter in Afghanistan for television and print, and was a national business blogger with Yahoo Canada.

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