Docs

3 top memories from the Toronto International Film Festival

SARA BERNSTEIN, director of documentary programming, hbo (us):
October 1, 2006

For some, the Toronto International Film Festival is time to roll up their sleeves and talk business. For others, it’s a rare chance to sit in a darkened theater and screen with the public. At this year’s fest, Michael Moore shared parts of his much-anticipated doc Sicko, and Jennifer Baichwal premiered Manufactured Landscapes, which won the Toronto-City award for Best Canadian Feature Film. Here’s what some insiders recalled about TIFF for realscreen.

SARA BERNSTEIN, director of documentary programming, HBO (US):
Sitting next to an anxious Adrian Grenier at the first sold-out screening of [his doc] Shot In The Dark and realizing this small, intimate film has made it to a very big screen. I mean, have you seen the screens at the Paramount?

JAN ROFEKAMP, president and CEO, Films Transit International (Canada):
TIFF is the perfect testing ground to see a film’s potential. There are foreign and domestic people there, DVD people, and it tells us if we should continue on the theatrical road for a doc, or move it to the broadcast market.

VINCENZO MARRA, director, The Session is Open (Italy):
For me, Toronto signifies sharing a cinema experience that unites us with 350 other crazy people. I was happy to be at one of the most important festivals in the world, seeing a land chosen by many Italians.

About The Author
Meagan Kashty is an associate editor of realscreen, an international print and online magazine that covers the non-fiction film and television industries. Meagan is an award-winning business journalist. Prior to joining the realscreen team, Meagan was online editor of Canadian Grocer, named Magazine of the Year at the 2015 Canadian Business Media Awards. She can be reached at mkashty@brunico.com, and you can follow her on Twitter @MegKashty

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