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Realscreen’s MIP Picks

With so much great new content to choose from at the market, it's sometimes hard for projects to get the attention they deserve. So, for the second MIP in a row, realscreen thought it might be helpful if we screened a few hundred clips to select those we think are must-sees in Cannes.
April 1, 2007

With so much great new content to choose from at the market, it’s sometimes hard for projects to get the attention they deserve. So, for the second MIP in a row, realscreen thought it might be helpful if we screened a few hundred clips to select those we think are must-sees in Cannes.

We assembled a panel of media journalists and evaluated the clips based on three criteria: originality, execution and appeal. The projects that follow are those the panel considers to be especially noteworthy. Not only are they wonderfully creative projects but, miraculously, they are also films even somewhat jaded media types agree are not to be missed.
Click on the link below to see our MIP PICKS:

http://www.realscreen.com/screeningroom/

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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