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Sundance Channel gets election fever

The Sundance Channel wraps the final five weeks of the 2008 presidential campaign with a special DOCDAY slate dedicated to the electoral process. Every Monday night from October 6 through November 3, Sundance will present feature docs and original series about those seeking public office in the U.S. The lineup includes the US premieres of three feature-length docs: Chris Hegedus and D A Pennebaker's The Return of the War Room (a Sundance Channel original production); Mary Lambert's 14 Women; and Vanessa Roth's The Third Monday in October. Also on board are James Rogan's Blog Wars, R.J. Cutler and David Van Taylor's 1996 feature A Perfect Candidate, Charles Ferguson's No End in Sight, Robert Drew's Primary, Sarah and Emily Kunstler's short Getting Through to the President, and the Sundance Channel original series The Hill.
August 25, 2008

The Sundance Channel wraps the final five weeks of the 2008 presidential campaign with a special DOCDAY slate dedicated to the electoral process. Every Monday night from October 6 through November 3, Sundance will present feature docs and original series about those seeking public office in the U.S. The lineup includes the US premieres of three feature-length docs: Chris Hegedus and D A Pennebaker’s The Return of the War Room (a Sundance Channel original production); Mary Lambert’s 14 Women; and Vanessa Roth’s The Third Monday in October. Also on board are James Rogan’s Blog Wars, R.J. Cutler and David Van Taylor’s 1996 feature A Perfect Candidate, Charles Ferguson’s No End in Sight, Robert Drew’s Primary, Sarah and Emily Kunstler’s short Getting Through to the President, and the Sundance Channel original series The Hill.

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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