Docs

Documentary infiltrates films at New York Film Festival

According to The New York Times, the line between fiction and documentary are blurring in the selection of films at the New York Film Festival. Hyper-real acting, situations and formatting leave the writer to call the feature films as quasi-, semi- or crypto-documentaries.
September 29, 2008

According to The New York Times, the line between fiction and documentary are blurring in the selection of films at the New York Film Festival. Hyper-real acting, situations and formatting leave the writer to call the feature films as quasi-, semi- or crypto-documentaries.

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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