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Waltz With Bashir big winner at Cinema Eye Honors

The Cinema Eye Honors for Non-fiction Filmmaking, now in its second year, celebrated those who contributed to creating the best docs of the year. Created by producer AJ Schnack and with co-chair and TIFF doc programmer Thom Powers and founding sponsor Indiepix on hand, the awards were given to: Up The Yangtze's Yung Chang for debut feature and audience choice award; Encounter at the End of the World's Peter Zeitlinger for outstanding cinematography; Man on Wire's Jinx Godfrey for outstanding editing ,Simon Chinn for outstanding production, director James Marsh and producer Simon Chinn for outstanding achievement in non-fiction filmmaking; and the big winner, Waltz with Bashir's Ari Folman for international feature and outstanding direction, Yoni Goodman & David Polansky for graphic design and animation, and Max Richter for music composition.
April 6, 2009

The Cinema Eye Honors for Non-fiction Filmmaking, now in its second year, celebrated those who contributed to creating the best docs of the year. Created by producer AJ Schnack and with co-chair and TIFF doc programmer Thom Powers and founding sponsor Indiepix on hand, the awards were given to: Up The Yangtze‘s Yung Chang for debut feature and audience choice award; Encounter at the End of the World‘s Peter Zeitlinger for outstanding cinematography; Man on Wire‘s Jinx Godfrey for outstanding editing ,Simon Chinn for outstanding production, director James Marsh and producer Simon Chinn for outstanding achievement in non-fiction filmmaking; and the big winner, Waltz with Bashir‘s Ari Folman for international feature and outstanding direction, Yoni Goodman & David Polansky for graphic design and animation, and Max Richter for music composition.

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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