Docs

Documentary maker analyses ethics in edit suite

Utne Reader features an article from Andrea Palpant-Dilley, a producer and director who recounts her first experiences with documentary film that caused her to wrestle with the ethics of filmmaking.
March 10, 2010

Utne Reader features an article reprinted from Canadian magazine Geez, written by Andrea Palpant-Dilley. The producer/director recounts her first experiences with doc-making, which caused her to wrestle with the ethics of filmmaking. She analyzes juxtaposition and decontextualization, as well as inclusion and exclusion via her experiences in the edit suite.

About The Author
Meagan Kashty is an associate editor of realscreen, an international print and online magazine that covers the non-fiction film and television industries. Meagan is an award-winning business journalist. Prior to joining the realscreen team, Meagan was online editor of Canadian Grocer, named Magazine of the Year at the 2015 Canadian Business Media Awards. She can be reached at mkashty@brunico.com, and you can follow her on Twitter @MegKashty

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