Docs

Documentary maker analyses ethics in edit suite

Utne Reader features an article from Andrea Palpant-Dilley, a producer and director who recounts her first experiences with documentary film that caused her to wrestle with the ethics of filmmaking.
March 10, 2010

Utne Reader features an article reprinted from Canadian magazine Geez, written by Andrea Palpant-Dilley. The producer/director recounts her first experiences with doc-making, which caused her to wrestle with the ethics of filmmaking. She analyzes juxtaposition and decontextualization, as well as inclusion and exclusion via her experiences in the edit suite.

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

Menu

Search