Docs

Documentary maker analyses ethics in edit suite

Utne Reader features an article from Andrea Palpant-Dilley, a producer and director who recounts her first experiences with documentary film that caused her to wrestle with the ethics of filmmaking.
March 10, 2010

Utne Reader features an article reprinted from Canadian magazine Geez, written by Andrea Palpant-Dilley. The producer/director recounts her first experiences with doc-making, which caused her to wrestle with the ethics of filmmaking. She analyzes juxtaposition and decontextualization, as well as inclusion and exclusion via her experiences in the edit suite.

About The Author
Senior staff writer Frederick Blichert comes to realscreen with a background as a journalist and freelance film critic. He has previously written for VICE, Paste Magazine, Senses of Cinema, Xtra, Canadian Cinematographer and elsewhere. He holds a Master of Arts in film studies from Carleton University and a Master of Journalism from the University of British Columbia.

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