TV

Parthenon’s “Marine Machines” head to Russia

Parthenon Entertainment has sold more than 60 hours of programming, including underwater series Marine Machines (pictured), into Russia and Central and Eastern Europe.
November 4, 2011

Parthenon Entertainment has sold more than 60 hours of programming, including underwater series Marine Machines (pictured), into Russia and Central and Eastern Europe.

The sale of Marine Machines (13 x 60 minutes) to Russia’s 24Techno TV is the company’s first deal with the broadcaster, and comes after MIPCOM’s Russia-themed event last month. The show looks at the tools used to discover, explore and work in our oceans, under extreme conditions.

Elsewhere, Parthenon secured a 13-hour package deal with Russian Report for The Meadow (1 x 60 minutes, HD) and National Geographic Channels’ Science Exposed (12 x 60 minutes, HD); and a 12-hour package deal with Russia 2 for Mystery Files II (13 x 30 minutes, HD), Ancient Discoveries (6 x 60 minutes) and series one of Super Human (2 x 60 minutes).

Russia K (formerly Kultura), acquired Last Stand of the Templars (1 x 60 minutes, HD) and Giant Monsters (2 x 60 minutes), while Moscow-based broadcaster Red Media Group has acquired Animals that Made History (6 x 30 minutes, HD) for its channel 365 days TV.

Finally, Inter TV Ukraine has acquired a 15 and a half hour programme package for its Inter TV, Mega Channel and K1 channels, with titles including Mystery Files II, Caught in the Act III (1 x 60 minutes, HD) and Ancient Megastructures II (6 x 60 minutes, HD).

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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