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Global production: the pros and cons

As international cable networks ramp up their global footprints, they’re looking for more and more content to feed into their international pipelines. But while that may mean more opportunities to ...
December 17, 2012

As international cable networks ramp up their global footprints, they’re looking for more and more content to feed into their international pipelines. But while that may mean more opportunities to secure commissions, producers may have less opportunities to exploit the programs globally, with the networks often retaining international rights. A high-level panel at the 15th edition of the Realscreen Summit will examine the issue of feeding the appetite for global content from the prodco, network, and distributor perspectives, and also uncover the creative approaches being utilized by all partners to arrive at deals that work. Is there room for compromise and collaboration in the global content game?

Julian Bellamy

Creative Director and Head of Production and Development

Discovery Networks International

Sally Miles

Founder & CEO

Passion Distribution

MODERATOR

Jane Millichip

Managing Director

Zodiak Rights

Brent Montgomery

Founder and Owner

Leftfield Pictures

Christian Murphy
SVP, International Programming & Marketing


A+E Networks

Hamish Mykura

EVP & Head of International Content

National Geographic Channels International

 

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About The Author
Meagan Kashty is an associate editor of realscreen, an international print and online magazine that covers the non-fiction film and television industries. Meagan is an award-winning business journalist. Prior to joining the realscreen team, Meagan was online editor of Canadian Grocer, named Magazine of the Year at the 2015 Canadian Business Media Awards. She can be reached at mkashty@brunico.com, and you can follow her on Twitter @MegKashty

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