Docs

Gathr Films takes U.S. theatrical, TOD rights for “Return to Homs”

The "theatrical on demand" company will roll out the Sundance award-winner in New York and Los Angeles in the weeks ahead, and has also snagged theatrical and TOD rights for Penton: The John Penton Story.
June 13, 2014

UPDATE 2:49 p.m. EST: An earlier version of this story stated that Gathr Films had acquired TOD and traditional theatrical rights for Return to Homs for North America. A spokesperson for Gathr has since clarified that the rights are for the U.S.

Los Angeles-based “theatrical on demand” (or TOD) company Gathr Films has acquired both TOD and traditional theatrical rights for the U.S. to the Sundance award-winner Return to Homs from Journeyman Pictures.

In February, London-based Journeyman picked up worldwide distribution rights to the film, which took the Grand Jury Prize for World Cinema Documentary at the 2014 Sundance Film Festival just weeks prior to that deal.

Directed by Talal Derki, the documentary was filmed over three years in Homs, Syria, and follows two young men in the midst of the conflict within the country, and their journey from peaceful protestors to armed rebels.

The film will be first released to theatres in Los Angeles on June 13 and New York on July 7, with other major markets to follow.

Gathr Films has also picked up traditional distribution and TOD rights to Todd Huffman’s Penton: The John Penton Story, which tells the story of the titular motorcycle champion rider and developer. The film, narrated by Lyle Lovett, will be released via the theatrical on demand model in Kansas City, Indianapolis, Boston and Detroit commencing June 23.

The company has also acquired TOD rights to I Am Eleven, a documentary portrait of childhood from Australian filmmaker Genevieve Bailey.

Gathr, an early player in the burgeoning “theatrical on demand” movement, uses a crowdsourcing model to grant audiences the ability to have a film screening in their towns or cities. Film fans can book tickets for a screening at a nearby venue, but the screening only goes ahead, and money for the tickets only changes hands, if a certain number of seats gets sold.

“We are incredibly proud to continue to be the theatrical model of choice for filmmakers and distributors that are committed to capturing incremental theatrical demand all over the country, not just in a handful of major markets,” said Gathr CEO Scott Glosserman in a statement.

About The Author
Managing editor with realscreen publication, an international print and online magazine that covers the non-fiction film and television industries. Darah is an award-winning journalist who has spent over two decades covering a wide range of issues from real estate and urban development to immigration, politics and human rights, primarily with The Vancouver Sun. Prior to joining realscreen, she was editor of Stream Daily, realscreen's sister publication covering the dynamic global digital video industry. She also served a stint as a war reporter in Afghanistan for television and print, and was a national business blogger with Yahoo Canada.

Menu

Search