Netflix sees subscriber slowdown at home and abroad

The service added 1.7 million subscribers globally, down from 2.5 million predicted earlier this year and with only 160,000 additions in the U.S.
July 19, 2016

“We are growing, but not as fast as we would like or have been.”

That’s the verdict from Netflix published in a letter to shareholders following the release of the SVOD giant’s Q2 earnings report on July 18.

While the SVOD’s quarterly global revenue (US$1.96 billion) remained in line with the forecasts projected in Q1, new subscribers and total profits fell below projections.

Netflix added 1.7 million subscribers globally (with 1.5 million coming from outside of the U.S.) over the quarter, finishing with more than 83 million members worldwide. The forecast set out three months ago predicted an addition of 2.5 million new members.

This time last year, Netflix added 3.3 million new subscribers globally.

Execs behind the SVOD acknowledged in a shareholder letter that the brand’s global expansion and disruption of the world’s traditional market has been “bumpy,” but “the opportunity ahead is as big as ever and we continue to improve every aspect of our business.”

The most recent quarter was one of Netflix’s lowest growth periods for domestic subscribers, adding only 160,000 new U.S. members, falling short from the prediction of 500,000 new American subscribers.

In the letter to shareholders, the company stated there was some “unexpected churn,” with previous customers choosing to end their subscriptions with Netflix (although the number of customers who left the service was not specified in the net additions). The company attributed much of the churn to a highly publicized increase in prices.

While the price hike had initially been implemented in 2014 for new customers (upping the price of a “standard” package from $7.99 to $9.99 per month), existing Netflix customers, whose lower prices had been grandfathered for two years, saw monthly sub costs go up in April.

The company stated that press coverage in the face of new fees may have hurt its forward momentum.

“We think some members perceived the news as an impending new price increase rather than the completion of two years of grandfathering,” the letter states.

As for the growth in competition — not only from the likes of new players like Fullscreen and YouTube Red, but from established SVODs like Amazon, which recently added a monthly subscription option, and Hulu, which has been on a major acquisition spree as of late — Netflix doesn’t believe those parties played a major part in its Q2 misses.

“Increased competition would show up mostly in soft gross additions rather than churn,” the letter states.

While some in the industry have speculated that the VOD market is approaching saturation and may soon slow, Netflix has shrugged off the prediction, stating that it observed similar performances over multiple international territories with differing levels of Netflix penetration, and where fewer competitors are available.

The numbers told a similar story abroad — 1.52 million international additions compared to the predicted two million. In total, Netflix has 33.58 million members outside of the U.S.

On the plus side, Netflix’s international operations aren’t resulting in quite as significant a loss as expected. Despite its expansion into 90 new territories earlier this year, Netflix has pulled in $758 million in revenue from international operations (projected in Q1 at $754 million) with a loss of $69 million, as opposed to the $80 million predicted in April.

Looking ahead, Netflix is estimating only 300,000 additions in the U.S. It also predicts that the 2016 Rio Olympics will result in more eyes on traditional TV sets and fewer on SVOD, a pattern it observed during the 2012 games.

As for its international strategy, the idea is to make the service friendlier to subscribers, with addition of local languages in the user interface, subtitles and dubbing. The company expects to localize the service in Poland and Turkey in Q3. Over the past six months, the company has also announced a number of non-English language original series and films in its international territories, including Brazil, Germany, India, Italy, Japan and more.

(From StreamDaily)



About The Author
Senior staff writer Frederick Blichert comes to realscreen with a background as a journalist and freelance film critic. He has previously written for VICE, Paste Magazine, Senses of Cinema, Xtra, Canadian Cinematographer and elsewhere. He holds a Master of Arts in film studies from Carleton University and a Master of Journalism from the University of British Columbia.