Docs

“Made in America” takes doc prize at DGA Awards

Ezra Edelman’s O.J.: Made in America took home the top prize in documentary filmmaking at the 69th annual Directors Guild of America (DGA) Awards. Held Saturday night (Feb. 4) in at the ...
February 6, 2017

Ezra Edelman’s O.J.: Made in America took home the top prize in documentary filmmaking at the 69th annual Directors Guild of America (DGA) Awards.

Held Saturday night (Feb. 4) in at the Beverly Hilton Hotel in Los Angeles, Edelman was honored with the Outstanding Directorial Achievement in Documentary. This was Edelman’s first DGA Award nomination.

The Laylow Films- and ESPN Films-made docuseries covers the 1995 O.J. Simpson criminal trial for the murders of his ex-wife Nicole Brown Simpson and her acquaintance Ron Goldman. It weaves the themes of race, domestic violence, celebrity culture, police brutality and the racial history of Los Angeles through the Simpson story across its nearly eight-hour run time.

So far, the project has picked up hardware at the Independent Documentary AwardsGotham Independent Film Awards, Producers Guild of America Awards, and Critics’ Choice Documentary Awards, and was most recently nominated for an Academy Award.

 O.J.: Made in America beat out the likes of Otto Bell‘s The Eagle Huntress (Sony Pictures Classics), Josh Kriegman & Elyse Steinberg‘s Weiner (Sundance Selects), Raoul Peck’s I Am Not Your Negro (Magnolia Pictures) and Roger Ross Williams Life, Animated (The Orchard).

Meanwhile, the winner for Outstanding Directorial Achievement in Reality Programs was J. Rupert Thompson for “The Finale – Over the Falls” of Fox’s American Grit.

The win comes on the heels of Thompson’s seventh DGA Award nomination, having been previously nominated for episodes of Fear Factor, Stars Earn Stripes and The Hero. He previously won in this category for 2005′s Fear Factor episode “Heist Fear Factor, Season 6 Premiere.”

Thompson’s directorial team consists of associate director David Charles and stage managers Daniel Curran and Kevin Fletcher.

The series beat out the likes of ABC’s Shark Tank, A&E’s Live PD, NBC’s Strong and CBS’ The Amazing Race.

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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