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Carol Nahra

Contact Carol by sending an email to cnahra@brunico.com

Articles by Carol Nahra

TOWIE

To TOWIE or not to TOWIE: Structured reality vs. documentary

TV

While the debate about structured reality negatively impacting documentary may be as old as the hills (or, more specifically, The Hills) in the U.S., with the increasing popularity of programs such as The Only Way is Essex (pictured) in the UK, it’s fertile ground for discussion there. Carol Nahra looks at last week’s BAFTA debate which tackled the subject.

April 25, 2012 Carol Nahra


News

Getting serious in Sheffield

FILM / TV

While this year’s edition of the Sheffield Doc/Fest brought some lighter moments to the mix via the UK premiere of Joan Rivers: A Piece of Work and panels delving into factual entertainment, much of the event was dedicated to the ever-evolving business of making and selling docs.

November 8, 2010 Carol Nahra


News

Letter from London (Sheffield): Doc/Fest

FILM / TV

For many years the Sheffield International Documentary Festival was an enjoyable but rather intimate affair, made up of a few hundred delegates who made the journey north from London to review the state of British documentary. In Carol Nahra’s report on this year’s event, she notes how Heather Croall has taken the fest from one which is international by name to one that is international by reputation.

November 9, 2009 Carol Nahra


News

Behind the badge

TV

The Force, a three-part doc series directed by Patrick Forbes for Channel 4, gains incredible access to reveal the behind-the-scenes workings of a British police constabulary. Here, Forbes discusses the challenges of bringing real-life law enforcement to the TV screen.

November 1, 2009 Carol Nahra


News

Letter from London: History’s healthy, says Hadlow

TV

As darkness fell last Thursday, and most Kings College, London students were scurrying away from their classrooms, a decidedly older crowd was moving against the tide and making its way to the Edmund J. Safra Theatre. They had come to hear one of their fellow history alumnae speak about her job: BBC2 Controller Janice Hadlow, discussing the health of history in television.

October 26, 2009 Carol Nahra


News

The evolution of fact ent at C4

TV

Coming from the broadcaster known for making factual entertaining, it’s no wonder that Andrew Mackenzie’s kingdom as head of factual entertainment at Channel 4 is such a broad one, commissioning programs as wide ranging as the Bafta-nominated single doc Thriller in Manila to Supernanny. Carol Nahra spoke with Mackenzie about how the department is evolving and what will take up the copious airtime left by Big Brother after its final run next summer.

October 7, 2009 Carol Nahra


News

Letter From London: The BBC takes some punches

TV

In her latest Letter from London, Carol Nahra looks at the criticism launched at the BBC over the past month, whether it’s deserved and how Auntie will survive the battle.

September 23, 2009 Carol Nahra


News

Letter from London: the outlook for UK indies

FILM / TV

A former psychologist who made frequent documentary appearances, Andy Glynne has, for the past decade, been working to support emerging documentary filmmakers in London. He founded the Documentary Filmmakers Group (DFG), which trains roughly one thousand filmmakers a year in all aspects of the doc game. He’s also MD of Mosaic Films, DFG’s sister company, and the director of One World Media, which aims to improve the quality and coverage of the developing world in the British media. Carol Nahra spoke with Glynne about independent doc-making in the UK.

August 12, 2009 Carol Nahra


News

Letter From London: An Embarrassing Success

TV

There once was a time when Big Brother was impossible to beat on Channel 4′s summer schedules. But Channel 4 has found another way to pull in the ratings, and score a huge tick in its public service credentials: Embarrassing Bodies.

July 9, 2009 Carol Nahra


News

Letter from London: A Time Comes for Nick Broomfield

FILM

Some years ago, I asked Nick Broomfield at a public screening in London about the direction he was heading with the subject matter of his documentaries. Why had he moved from the hard-hitting social documentaries of his early career, into more frivolous, celebrity-driven topics? His reply was, his films mirrored the society we now lived in.

June 4, 2009 Carol Nahra

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