When Apple introduced Final Cut Pro in April 1999, a friendly debate concerning its suitability for professional projects, especially as compared to Avid Media Composer, sprang up among editors around the world. With the introduction of FCP 3 in December 2001, that debate became archaic. Today, any discussion about Avid versus FCP concerns not whether FCP makes the cut (pardon the pun), but rather what sorts of programs are best suited to its strengths.
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