TV

Realscreen’s MIPTV Picks 2010 now online

This year's edition of our MIPTV Picks is truly an eclectic one. Our call for submissions yielded a veritable slew of noteworthy and diverse projects, and as content creators and buyers gear up for this year's edition of MIPTV, we're presenting the shows that the realscreen editorial panel deemed as 'must see' programs.
April 5, 2010

This year’s edition of our MIPTV Picks is truly an eclectic one. Our call for submissions yielded a veritable slew of noteworthy and diverse projects, and as content creators and buyers gear up for this year’s edition of MIPTV, we’re presenting the shows that the realscreen editorial panel deemed as ‘must see’ programs. Congrats to our Best in Show, My Lai which earns a pass to the Realscreen Summit in 2011.

Here are our MIPTV Picks for 2010 – click through the links to watch clips.

My Lai
America: The Story of Us
My Perestroika
Escape in Time
Inside the Firestorm
Second Coming
Air Ways
I Want to Live, Don’t I? A Cancer Dairy
Three Hungry Boys
Battle of the Blades
Albino United
Undercover Princesses
Fugitive Chronicles
Licence to Drill
Trishna and Krishna: Separate Lives
The Downside of High
Crime Scene: Insects
China Quake
Wild Russia
Seed Warriors
Wildwives of Savannah Lane
This Way of Life
Surviving the Future
Love in Numbers
Living in Emergency
Our Summer in Tehran

To read more about these projects, click here.

About The Author
Andrew Tracy joined Realscreen as associate editor in 2021, following 17 years as managing editor of the award-winning international film magazine Cinema Scope. From 2010 to 2020 he also held the position of senior editor at the Toronto International Film Festival, where he oversaw the flagship publication for the organization’s year-round Cinematheque programming and edited its first original monograph in a decade, Steve Gravestock’s A History of Icelandic Film. He was a scriptwriter and consultant on the first season of the Vice TV series The Vice Guide to Film, and his writing and reporting have been featured in such outlets as Cinema Scope, Reverse Shot, Sight & Sound, Cineaste, Film Comment, MUBI Notebook, POV, and Montage.

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