TV

Realscreen’s MIPTV Picks 2010 now online

This year's edition of our MIPTV Picks is truly an eclectic one. Our call for submissions yielded a veritable slew of noteworthy and diverse projects, and as content creators and buyers gear up for this year's edition of MIPTV, we're presenting the shows that the realscreen editorial panel deemed as 'must see' programs.
April 5, 2010

This year’s edition of our MIPTV Picks is truly an eclectic one. Our call for submissions yielded a veritable slew of noteworthy and diverse projects, and as content creators and buyers gear up for this year’s edition of MIPTV, we’re presenting the shows that the realscreen editorial panel deemed as ‘must see’ programs. Congrats to our Best in Show, My Lai which earns a pass to the Realscreen Summit in 2011.

Here are our MIPTV Picks for 2010 – click through the links to watch clips.

My Lai
America: The Story of Us
My Perestroika
Escape in Time
Inside the Firestorm
Second Coming
Air Ways
I Want to Live, Don’t I? A Cancer Dairy
Three Hungry Boys
Battle of the Blades
Albino United
Undercover Princesses
Fugitive Chronicles
Licence to Drill
Trishna and Krishna: Separate Lives
The Downside of High
Crime Scene: Insects
China Quake
Wild Russia
Seed Warriors
Wildwives of Savannah Lane
This Way of Life
Surviving the Future
Love in Numbers
Living in Emergency
Our Summer in Tehran

To read more about these projects, click here.

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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