Discovery CEEMEA pens package deal with Zodiak

In a deal with London-based distributor Zodiak Rights, Discovery Networks CEEMEA has acquired more than 120 hours of British programming to air in its Central and Eastern Europe territories. (Pictured: The Undateables)
September 27, 2012

Discovery Networks CEEMEA has picked up more than 120 hours of British programming to air in its Central and Eastern Europe territories in a deal with London-based distributor Zodiak Rights.

The package includes more than 50 hours of UK indie Betty’s programming, including season one and two of Channel 4 series Food Hospital (8 x 60-minutes); Wedding House (10 x 60-minutes); Hoarders: Get Your House in Order (6 x 60-minutes); seasons one and two of Beauty & The Beast (6 x 60-minutes/4 x 60-minutes); and season one of The Undateables (pictured above, 3 x 60-minutes).

Discovery also acquired one-off BBC specials, including Coming Out Diaries (1 x 60-minutes) and Desperately Hungry Housewives (1 x 60-minutes).

From Firecracker Films, the net picked up season two of My Big Fat Gypsy Weddings (7 x 60-minutes), spin-off series Thelma’s Gypsy Girls (6 x 60-minutes) and My Mom Is… (6 x 60-minutes), a U.S. production for OWN and Discovery Fit & Health.

Discovery acquired series five of Maverick Television’s Embarrassing Bodies (8 x 60-minutes) and seasons one and two (3 x 60-minutes/8 x 60-minutes) of Embarrassing Bodies: From The Clinic, as well as Special Edition Films’ BBC3 documentaries Jono: So What If My Baby Is Born Like Me? and Jono: Finding My Family Online.

From the Zodiak Media catalog, the network picked up season six of IWC’s Media’s Extreme Fishing (8 x 60-minutes), RDF Television’s Channel 4 doc Obsessive Compulsive Hoarder and UKTV series Bush Pilots (10 x 60-minutes).

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.