News

The Digital Report Card

Two years on from the unveiling of 100 niche channels on YouTube, which saw pundits proclaiming it would become “the new cable,” is the move into original content working for ...
January 16, 2014

Two years on from the unveiling of 100 niche channels on YouTube, which saw pundits proclaiming it would become “the new cable,” is the move into original content working for digital platforms? Have there been any successes in terms of hit programming? How has the “revolution” benefited producers, and how do producers who have entered the space measure success and ROI? Conversely, for those who’ve staked their claim in the digital content realm, how does it impact their brands to make moves to linear TV?


Mark Koops

Founder & CEO

Trium Entertainment
MODERATOR


Gayle Gilman

EVP, Digital Content

FremantleMedia North America


Will Keenan

President

Endemol Beyond USA


Michael Klein

EVP, Programming and Content Strategy, Digital Channels

Condé Nast Entertainment Group


Ari Mark

Head of Unscripted Programming

Xbox Entertainment Studios


Chris Vivion

Executive Producer
Upwave

Click here to register online or contact Joel Pinto at 416-408-2300 x650.

TAGS:
,
TAGS:
,
About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

Menu

Search