Documentary pays? The price of filmmaking – part one

In the first part of a special report, realscreen examines the economic pressures placed on some documentary filmmakers working today, and why doc directors - many of whom also play double duty as producers on their projects - aren't paying themselves for their time. (Top left: Jesse Moss; right: Emily James)
July 7, 2016

In the first part of a special report, realscreen examines the economic pressures placed on some documentary filmmakers working today, and why doc directors - many of whom also play double duty as producers on their projects - aren't paying themselves for their time. (Top left: Jesse Moss; right: Emily James)

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