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Cooking up Copros: What’s Working, Where

Facing ever-declining budgets and licensing fees, producers across myriad genres of non-fiction have had to get creative to fund their projects. But factoring in a growing number of potential international ...
November 4, 2019

Facing ever-declining budgets and licensing fees, producers across myriad genres of non-fiction have had to get creative to fund their projects. But factoring in a growing number of potential international buyers, copros are no longer strictly the domain of big-budget, blue chip content, and creative partnerships are ensuring that various segments of the industry have skin in the game. The ‘Cooking Up Copros: What’s Working, Where’ session navigates the coproduction landscape in 2020, and deciphers what’s working now, how it’s working, and where it’s working.

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About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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