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UK prodco Zig Zag returns with two commissions
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California lawmakers propose tax credit revamp, large-scale competition shows could benefit
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“Canada’s Ultimate Challenge,” “No Dress Rehearsal” among Canadian Screen Awards nominees
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Creator-led content may become “new center of gravity for media and entertainment”: Deloitte report
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Silver Lake completes acquisition of Endeavor; portfolio goes private as WME Group
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Blue Ant to go public via reverse takeover of Boat Rocker Media
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Pact report warns “balance of UK production sector could be at risk” as buyers’ spending shifts
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Korea’s Something Special receives expansion funding
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Netflix officially unveils Willy Wonka-inspired “Golden Ticket” unscripted competition
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Creator-focused company Spotter to host upfront-style event in NYC with top YouTubers
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Adam Neuhaus on how the Nonfiction Hotlist might “reverse power dynamics for creators”
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Team behind inaugural Nonfiction Hotlist unveils projects
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Extra: Last Word Entertainment firms up team; Austrian format heads to South Africa
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London TV Screenings touts record attendance, confirms sixth edition for Feb. ’26
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BBC content chief Charlotte Moore exiting pubcaster to join SPT, Left Bank
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‘Nature of Things’ production chief Sue Dando retiring from CBC after 38 years
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Westdoc Online explores the story behind Oscar-nominated “Sugarcane”
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A&E unveils recipients of $25K development deals awarded at Realscreen Summit
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Realscreen’s London TV Screenings/MIP London Shoppers Guide, pt. 1
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Trendwatch ’25: Brand-powered programming picks up the pace
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Notes from NATPE: Amazon’s international influencer ambitions; winning the Great Media War
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Alex Gibney sells prodco majority stake to philanthropist Wendy Schmidt; Courtney Sexton to lead West Coast office
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Unscripted prodcos team with Reality of Change, Rare for sustainability “roadmap”
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Trendsetters ’25: Studio Lambert races ahead