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Newsmakers ’25: Blue Ant’s Michael MacMillan on why “it’s a great time to be in an expansive state of mind”
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Deep Fusion Films’ Benjamin Field shares key takeaways from his AI production white paper
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Viewpoint: RPJ’s Nicole Page on combatting crisis in non-fiction production with collective action
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Content climate: All3Media Intl.’s Rachel Job on genres that’ll click in ’26
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WBD bid bonanza: Paramount gets a funding boost for offer; Netflix, Comcast still in race
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Newsmakers ’25: Particle6’s Eline van der Velden talks Tilly, using AI as a “force for good” in production
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Viewpoint: In praise of relentless optimism
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Remembering “one of the good guys”: UK TV industry pays tribute to Plum Pictures’ Will Daws
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Viewpoint: Serial Maven’s Solange Attwood on building a right-sized studio for right now
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Restoration vs. disinformation: Exploring gen AI use in archive-based docs
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A vodcast boom and “main character energy”: media and entertainment forecasts for 2026
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WCSFP’s Paul Lewis on issues facing factual community, emerging areas ahead of Rio conference
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Luma AI’s Amit Jain talks $900 million round of funding, ambitions for “what a generative studio looks like”
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What are the odds? A look at potential frontrunners for the BBC director general post
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Brandscape: Publicis Media chief content officer Eric Levin on the power of partnership
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BBC Studios NHU head Jonny Keeling on landmark series “Kingdom” and the outlook for blue chip
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Taking natural history to “scare school”: Plimsoll, Blumhouse on Netflix’s “Nightmares of Nature”
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Two Monkeys MD Phil Fairclough on showrunner and friend Ronnie Krensel: “style, humor and visual flair”
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“Let’s focus on the people and the solutions”: tackling sustainability in unscripted
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Analysis: Amazon, Paramount job cuts reflect the realities of a “tech-forward” future
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Critical Content’s new co-head Rob Lobl on “rebooting and rebuilding”
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The analysts’ take: who should buy Warner Bros. Discovery, and why
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Bridging the gap: Banijay’s Lucas Green on connecting traditional TV with creators
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Brandscape: South Shore CEOs on why brand-funded unscripted is entering “a very exciting time”
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