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TIFF ’13: Art, wildlife and Hollywood converge in “Midway”
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TIFF ’13: The buzz behind “Burt’s Buzz”
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TIFF ’13: Show us the numbers
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TIFF ’13: Cohen Media snags “Last of the Unjust”
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TIFF ’13: Avrich eyes Penthouse with “Filthy Gorgeous”
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TIFF ’13: Fewer docs for sale as deals done earlier
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TIFF ’13: The Exchange picks up “Made in America”
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TIFF ’13: Dogwoof takes int’l rights to “Dangerous Acts”
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TIFF ’13: Revisiting the “Unjust”
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TIFF ’13: Toronto adds last-minute “Salinger” screening
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Venice ’13: Venturing into the “Unknown”
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TIFF ’13: HBO takes on “Dangerous Acts”
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TIFF ’13: “Faith Connections” sells to France, Switzerland
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TIFF ’13: Vimeo lures filmmakers with $10,000 advance offer
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Epix to premiere “Filthy Gorgeous” in November
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TIFF ’13: eOne acquires “Watermark”
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TIFF ’13: Toronto is ‘key festival’ for Oscars, says Handling
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TIFF ’13: Weinstein, Howard to talk concert docs
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Canadian doc-maker Greyson arrested in Egypt
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TIFF ’13: Doc Conference nabs Jarecki, Gibney, Al Jazeera America
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TIFF ’13: “Tempest Storm” set for Pitch This!
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TIFF ’13: Trailers: “Midway,” “The Dog,” “Dark Matter of Love”
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TIFF ’13: “Midway,” “Finding Vivian Maier” head to Toronto
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Sony Pictures Classic, Gibney to unveil “The Armstrong Lie”
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