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Woodcut unveils two-part “The Race for Ancient Egypt in Colour”
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Gennie founders on their evolving approach to AI tech, ethics
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Gennie, Woodcut to coproduce AI-assisted “Deep Blue CSI”
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Viewpoint: Resilience is a development producer’s superpower
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Doing more with less: The changing face of unscripted development
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Woodcut Media scores pre-sales to Channel 4, SBS
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Realscreen’s Global 100 Top Tens for 2025: Factual Phenoms
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Prime Video UK & Ireland acquires 10-title crime package from Sphere Abacus
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Keshet Int’l scores sales for first two commissions from factual Greenlight initiative
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Personnel moves: new hires, promotions at Story Films, Propagate, Woodcut Media
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Extra: “No Other Land” wins best doc at Gothams; Blue Ant Studios promotes Nick Solowski
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Sales & acquisitions: OTF picks up “We Are Guardians”; Fred Media/Radar inks slate deal with Seven Network
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A+E Networks EMEA commissions “Faces of Evil” from Woodcut Media
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TVF locks sales following NATPE Budapest
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UK commissions: Woodcut sets crime series for Prime; Crackit producing “Shark” for Channel 5
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Extra: Prime Video sets Toronto edition of “Luxe Listings”; WBD UK & Ireland licenses “Long Lost Family” from Lineup
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UK commissions: Channel 4 slates parachute murder docuseries; Prime Video orders doc on Sandra Rivett killing
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Doc sales: “Titanic in Colour” logs pre-sales; acquisitions by Global Screen, Brainstorm Media
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Sales round-up: Woodcut closes multi-title international sales; AMR locks true-crime deal with Prime Video UK
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Woodcut Media’s Liam Camps on 2023
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Personnel moves: Woodcut ups Matthew Gordon; CC-Lab finds development director/EP
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Extra: Assoc’n of True Crime Producers adds members; Generation Iron doc on strongman Eddie Hall
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Keshet Int’l reveals first project of new annual commissioning initiative
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UK commissions: C4 orders model railway series from Workerbee; Channel 5 slates Woodcut’s “Most Dangerous Prisoners”








