The US

Unlike their European or Canadian counterparts, producers in the us must dig around to find financing from sources outside of the studios and broadcasters, as almost no public money is available.
January 1, 2008

Unlike their European or Canadian counterparts, producers in the us must dig around to find financing from sources outside of the studios and broadcasters, as almost no public money is available.

Realscreen

Unlock this article right now

Create an account for FREE to unlock articles and receive Realscreen Daily.

Get access now

Already have an account/getting our newsletter? Sign in here
About The Author

Menu

Search