The deal is on: Banijay to acquire Endemol Shine

After 18 months of speculation involving myriad media conglomerates, the saga concerning the sale of Endemol Shine Group (ESG) is reaching a conclusion. As expected, Paris-based Banijay Group has reached a ...
October 26, 2019

After 18 months of speculation involving myriad media conglomerates, the saga concerning the sale of Endemol Shine Group (ESG) is reaching a conclusion.

As expected, Paris-based Banijay Group has reached a “definitive agreement” to acquire 100% of ESG, making it the world’s largest independent production outfit.

The acquisition, subject to customary closing conditions, will encompass Endemol Shine’s 120 production labels with an estimated 66,000 hours of scripted and unscripted programming together with over 4,300 registered formats. As a result, Banijay will expand into a global production entity comprising close to 200 production companies in 23 territories and the rights for close to 100,000 hours of content. According to Banijay, pro-forma revenue of the combined group is expected to be approximately €3 billion for the year ending December 31st 2019.

While financial details of the transaction weren’t revealed in this morning’s announcement, speculation earlier this week had the price tag for ESG in the neighborhood of $2.2 billion.

The deal will be financed through a capital increase of Banijay Group and committed debt financing, including a committed full refinancing of Banijay and Endemol Shine’s existing financial debt, supported by Deutsche Bank, Natixis and Société Générale. Post-closing, the combined group will be held by holding company LDH (67.1%) and Vivendi (32.9%).

The pact brings some of the world’s biggest formats, including Survivor and Big Brother, under the same production umbrella, as well as such major unscripted prodcos as Bunin/Murray Productions and Authentic Entertainment.

Both companies are also home to substantial distribution arms. There has, thus far, been no mention of expected redundancies for the distribution divisions and other areas of overlap, but they often accompany mergers of this variety.

The deal brings to a close an 18-month process for ESG’s previous owners, the Walt Disney Company and Apollo Global Management, which saw a variety of deep-pocketed suitors such as All3Media and reportedly, Endevor Content among others, kicking the tires of the global entertainment powerhouse. Banijay emerged as a front runner after ITV announced it wasn’t entering the fray as a potential buyer.

“Endemol Shine brings an incredible array of industry-leading talent, globally-renowned brands and high-quality creative content,” said Banijay Group CEO Marco Bassetti (pictured) in a statement. “Combining the resources of these two companies will instantly strengthen our position in the global market, and our capabilities across genres will further define us as a go-to provider of first class IP worldwide. Welcoming the Endemol Shine brands and talents to our existing business will signal enhanced opportunities in the marketplace, and we are all excited by what the future holds for the combined entity.”

Sophie Turner Laing, Endemol Shine Group CEO, added: “At Endemol Shine, we have continually inspired and entertained audiences around the world, a testament to every single person across the Group. This deal takes us into a whole new and exciting chapter and into a new enhanced global content house with many opportunities ahead.”

About The Author
Barry Walsh is editor and content director for realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.