TV

Creating an ‘Apocalypse’: A Massive Archive Undertaking

Apocalypse: The Second World War was both a massive hit in territories around the world, and a gargantuan undertaking for Paris-based prodco CC&C and the series' directors, Isabelle Clarke and Daniel Costelle and producer Louis Vaudeville. In advance of an airing of a 'making of' special on the Smithsonian Channel in the U.S. realscreen spoke to Smithsonian's David Royle and Joy Galane and CC&C's Louis Vaudeville about this archive-based international television event.

January 14, 2010

Apocalypse: The Second World War was both a massive hit in territories around the world, and a gargantuan undertaking for Paris-based prodco CC&C and the series' directors, Isabelle Clarke and Daniel Costelle and producer Louis Vaudeville. In advance of an airing of a 'making of' special on the Smithsonian Channel in the U.S. realscreen spoke to Smithsonian's David Royle and Joy Galane and CC&C's Louis Vaudeville about this archive-based international television event.

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About The Author

Barry Walsh is editor-in-chief and content director for Realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to Realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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