DOK Leipzig unveils competition lineup for 2022 edition

One week after releasing details of its 2022 industry program, European doc conference and festival DOK Leipzig has finalized the competition lineups for its 65th edition, which runs in the ...

September 29, 2022

One week after releasing details of its 2022 industry program, European doc conference and festival DOK Leipzig has finalized the competition lineups for its 65th edition, which runs in the ...

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TAGS:

A Bunch of Amateurs, A Hawk as Big as a Horse, A Life Like Any Other, A Night Song, Adnane Baraka, Alba Jaramillo, Alexandre Powelz, Alexis Alexiou, Ana María Gómez López, Andrianus “Oetjoe” Merdhi, Anhell69, Anton Khamchishkin, Astrid Menzel, Benjamin Grinand, Blue Sky White Clouds, Border Conversations, Brenda Akele Jorde, Ciné-Guerrillas: Scenes from the Labudovic Reels, Corine Shawi, Dana Reilly, Daniel Richter, Days of Fishing, Dead Birds Flying High, Divine Factory, DOK Leipzig '22, Elisa Mishto, Elwira Niewiera, Emma van den Berg, Faustine Cros, Favorite Daughter, Félix Lamarche, Fragments from Heaven, Gala Hernández López, Gereon Wetzel, Hanna Trofimova, Heinz Emigholz, Helke Misselwitz, Hernán Fernández, Iota Period Omega, Jonathan Brunner, Joseph Mangat, Julius Gintaras Blum, Katharina Pethke, Kayu Besi, Kim Hopkins, Landscapes, Lucien Lepoutre, Lucien Roux, Luis Armando Sosa Gil, Lukas Marxt, Mahardika Yudha, Maksym Melnyk, Mariana Flores Villalba, Marine Target, Martyna Peszko, Matter Out of Place, Matthias Joulaud, Max Sänger, Maya Steinberg, Melanie Liebheit, Men of Salt, Michele Sammarco, Mickaël Bandela, Mila Turajlic, Miyama Kyoto Prefecture, Moderat – The Last Days, Motorrodillo, Nikolaus Geyrhalter, On Taphonomy, One Mother, One of Us Now, One Road to Quartzsite, Our Fate, Pamela Meyer-Arndt, Pastor Lothar Stops, Pepe Danquart, Perdana Roswaldy, Perhaps What I Fear Does Not Exist, Piotr Rosołowski, Rainer Komers, Ramboy, Rebels, Revolution 21, Robin Hartanto Honggare, Ryan Maxey, Sasha Kulak, She Chef, Shuli Huang, Slaughterhouses of Modernity, Sofía Brockenshire, Sönje Storm, Swallowtails, The Dependents, The Hamlet Syndrome, The Homes We Carry, The Invisible Frontier, The Mechanics of Fluids, The Poet’s Wife, Theo Montoya, Three Women, Tilman König, Tropic Fever, Uncanny Me, When Will the Winter of 2022 End?, Why My Mum Loves Russell Crowe, Will You Look at Me, Yana Osman, Yonii

TAGS:

A Bunch of Amateurs, A Hawk as Big as a Horse, A Life Like Any Other, A Night Song, Adnane Baraka, Alba Jaramillo, Alexandre Powelz, Alexis Alexiou, Ana María Gómez López, Andrianus “Oetjoe” Merdhi, Anhell69, Anton Khamchishkin, Astrid Menzel, Benjamin Grinand, Blue Sky White Clouds, Border Conversations, Brenda Akele Jorde, Ciné-Guerrillas: Scenes from the Labudovic Reels, Corine Shawi, Dana Reilly, Daniel Richter, Days of Fishing, Dead Birds Flying High, Divine Factory, DOK Leipzig '22, Elisa Mishto, Elwira Niewiera, Emma van den Berg, Faustine Cros, Favorite Daughter, Félix Lamarche, Fragments from Heaven, Gala Hernández López, Gereon Wetzel, Hanna Trofimova, Heinz Emigholz, Helke Misselwitz, Hernán Fernández, Iota Period Omega, Jonathan Brunner, Joseph Mangat, Julius Gintaras Blum, Katharina Pethke, Kayu Besi, Kim Hopkins, Landscapes, Lucien Lepoutre, Lucien Roux, Luis Armando Sosa Gil, Lukas Marxt, Mahardika Yudha, Maksym Melnyk, Mariana Flores Villalba, Marine Target, Martyna Peszko, Matter Out of Place, Matthias Joulaud, Max Sänger, Maya Steinberg, Melanie Liebheit, Men of Salt, Michele Sammarco, Mickaël Bandela, Mila Turajlic, Miyama Kyoto Prefecture, Moderat – The Last Days, Motorrodillo, Nikolaus Geyrhalter, On Taphonomy, One Mother, One of Us Now, One Road to Quartzsite, Our Fate, Pamela Meyer-Arndt, Pastor Lothar Stops, Pepe Danquart, Perdana Roswaldy, Perhaps What I Fear Does Not Exist, Piotr Rosołowski, Rainer Komers, Ramboy, Rebels, Revolution 21, Robin Hartanto Honggare, Ryan Maxey, Sasha Kulak, She Chef, Shuli Huang, Slaughterhouses of Modernity, Sofía Brockenshire, Sönje Storm, Swallowtails, The Dependents, The Hamlet Syndrome, The Homes We Carry, The Invisible Frontier, The Mechanics of Fluids, The Poet’s Wife, Theo Montoya, Three Women, Tilman König, Tropic Fever, Uncanny Me, When Will the Winter of 2022 End?, Why My Mum Loves Russell Crowe, Will You Look at Me, Yana Osman, Yonii

About The Author

Andrew Tracy joined Realscreen as associate editor in 2021, following 17 years as managing editor of the award-winning international film magazine Cinema Scope. From 2010 to 2020 he also held the position of senior editor at the Toronto International Film Festival, where he oversaw the flagship publication for the organization’s year-round Cinematheque programming and edited its first original monograph in a decade, Steve Gravestock’s A History of Icelandic Film. He was a scriptwriter and consultant on the first season of the Vice TV series The Vice Guide to Film, and his writing and reporting have been featured in such outlets as Cinema Scope, Reverse Shot, Sight & Sound, Cineaste, Film Comment, MUBI Notebook, POV, and Montage.

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