When I tell people that I work for a magazine devoted to the business of factual TV programming and film, they almost always remark on how 'niche' it seems, even for a niche publication. The irony is, one of the things I enjoy most about working on RealScreen is the diversity of the industry it serves. I love that factual programming describes everything from MTV's voyeuristic hit The Osbournes to PBS' new global issues strand Wide Angle, and that the TV universe has expanded enough to accommodate such a range.
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