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Netflix sets true-crime doc “Cyberbunker” from Germany’s btf
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Extra: Food Network signs host Kardea Brown to new deal; Mubi picks up music doc “A Tiger in Paradise”
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“I make movies to learn something”: Errol Morris on John le Carré and “The Pigeon Tunnel”
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DOC NYC unveils Short List, Winner’s Circle sections
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Extra: BBC slates “Wilderness with Simon Reeve”; “Bye Bye Tiberias” takes top doc prize at London Film Festival
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National Geographic signs first-look deal with Sara Dosa and Shane Boris’ Signpost Pictures
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“American Symphony” leads Critics Choice Documentary Award nominees
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DOC NYC reveals main slate for 2023 festival lineup
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The 2023 MIPCOM Shopper’s Guide, part two
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Extra: new leadership at Fremantle Spain; Banijay Benelux preps adventure format “The Life Trail”
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“I just want to see a doc make $1M”: Doc distributors on the state (and future) of the theatrical market
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Magnolia picks up N.A. rights to Anita Pallenberg doc “Catching Fire”
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Abramorama picks up N.A. rights to “A Still Small Voice”
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Extra: Freestyle acquires Chumbawamba doc; Camden Film Festival, TV5Monde partner on doc grant
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“Sorry/Not Sorry” co-directors on new Louis C.K. doc, film’s recent acquisition out of TIFF
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Canadian feature “Mr. Dressup” wins TIFF People’s Choice doc award
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Extra: WE tv slates “Keke Wyatt’s World”; Kaleidoscope picks up “Disconnect Me” at TIFF
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Grierson Trust unveils British Doc Awards nominees
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TIFF ’23: Jen Markowitz on “Summer Qamp,” building trust, and communities telling their own stories
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Acquisitions round-up: Fremantle to rep “Sisters Interrupted”; Fuse nabs wrestling doc “Out in the Ring”
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Extra: Zed preps D-Day doc; Fremantle’s “The Farm” returns to Chile
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TIFF ’23: Netflix acquires worldwide rights to “Mountain Queen” doc
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TIFF ’23: Greenwich Entertainment acquires N.A. distribution rights to “Sorry/Not Sorry”
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TIFF ’23: “Sorry/Not Sorry,” “Pictures of Ghosts” highlight editorial picks to watch
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