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Programming Profile: Discovery commissions from tapirs in London to Tallinn’s Bomb Squad
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Programming Profile: More On Britain – Picture This makes room for experimentation
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The Art of Pitching: Special Report on the IDFA’s Forum for International Co-financing of Documentaries
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The Back Page: Into the Bear Pit
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Upfront: Disney goes back to nature
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Upfront: New Canadian Cable Apps
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Upfront: TVNZ’s Natural History Unit goes on the block. And the winner isÉ
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Pulp Non-Fiction: Coup of the Month
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Pulp Non-Fiction: Straight from the source
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Pulp Non-Fiction: Fighting over more than the bathroom
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Pulp Non-Fiction: Millennium Watch – 100 Moments of the Century
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Pulp Non-Fiction: Spotlight – Adventures with Adler
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Pulp Non-Fiction: Look out Channel 4
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Buyer’s Pick: Isme Bennie looks to tried and trade sources when filling Space on a cable budget
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Programming Profile: A new home for Turner Original docs
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Special Report on London Program Market: As U.K. producers become more inclined to look beyond the Empire for coproduction dollars, it’s inevitable that Americans – with their growing webs of international services – are going to …
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The Back Page: Animals aren’t funny
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Special Report on ARTE: A Status Report
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Special Report on Travel & Adventure: New Directions
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A&E says Ole to Brasil/Non-fiction takes flight
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Focus on Italy: As RAI deals with A&E on Historia, Italy’s new digital platform opens windows to new doc channels.
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The Importance of Winning Emmy(s)
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Starting Them Young: With a whole new crop of kid-oriented non-fiction hitting TV this fall, producers and distributors look for a lasting formula
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Programming Profile: Kabel 1