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TIFF ’23: Doc Market panel talks sticking to “vision”
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UK factual entertainment spending down 6% in 2022: Pact census
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Extra: MIPCOM to honor China; Fox Nation sets Dahmer docuseries
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TIFF ’23: “Getting Real” panel on series eclipsing features in Canada
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American Documentary appoints ‘POV’ coproducer
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Asylum names chief creative officer
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TIFF ’23: Greenwich Entertainment acquires N.A. distribution rights to “Sorry/Not Sorry”
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Extra: Double Agent preps Burning Man doc; “Thank You Very Much” wins Venice doc prize
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SkyShowtime appoints former Netflix exec Kai Finke as chief content officer
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Daniel Pearl joins Lion Television as CD; senior hires, promotions at ITV Studios Australia, Brown Bob
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Dan Grabiner to depart Amazon Studios UK to launch new venture Orchard Studios
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Extra: Keshet Int’l sales hires; C4 expands “Help! We Bought a Village” franchise
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BBC Studios names Elanor Lee head of production for specialist factual unit
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CAA finds new majority stakeholder in France’s Groupe Artémis
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TIFF ’23: “Sorry/Not Sorry,” “Pictures of Ghosts” highlight editorial picks to watch
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Comcast and Disney move up negotiations on Hulu ownership
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Critical Content grows development team; Middlechild appoints head of factual
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Blue Ant International EVP Solange Attwood to exit for new production venture
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Max’s “Murdaugh Dynasty,” Netflix’s “I Just Killed My Dad” among CrimeCon Clue Awards nominees
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Lionsgate’s Pilgrim Media inks unscripted deal with Sean Perry’s 2500 Media
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Extra: Doc sales aid record year for French TV exports; AMR locks pre-sales for Christopher Lee bio-doc
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Personnel moves: France TV Distribution, Showmax, Be-Entertainment
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Lionsgate attracts $30M investment from Steve Mnuchin’s Liberty Capital
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Roku to cut 10% of staff, pull content in “strategic review” of portfolio
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