Recent Stories
-
TIFF ’23: Peter Broderick on taking control of your doc’s distribution
-
Nielsen names Karthik Rao as CEO
-
TIFF ’23: Raoul Peck on “Silver Dollar Road” and his humane approach to storytelling
-
Abramorama ups Karol Martesko-Fenster to CEO, Evan Saxon to president
-
Blue Ant Media names MD of APAC region
-
TIFF ’23: Doc Market panel talks sticking to “vision”
-
ESPN+ sets September premiere for “Skin in the Game”
-
UK factual entertainment spending down 6% in 2022: Pact census
-
UK commissions: C4 orders model railway series from Workerbee; Channel 5 slates Woodcut’s “Most Dangerous Prisoners”
-
Extra: MIPCOM to honor China; Fox Nation sets Dahmer docuseries
-
TIFF ’23: “Getting Real” panel on series eclipsing features in Canada
-
American Documentary appoints ‘POV’ coproducer
-
Acquisitions round-up: Fremantle to rep “Sisters Interrupted”; Fuse nabs wrestling doc “Out in the Ring”
-
Exclusive: BBC Select slates “A Very Royal Crisis” as first original docuseries
-
Asylum names chief creative officer
-
Extra: Zed preps D-Day doc; Fremantle’s “The Farm” returns to Chile
-
Eureka producing Talpa format “The Quiz With Balls” for the U.S.
-
Greenlight round-up: Hulu goes country; HGTV sets “Zillow Gone Wild”
-
TIFF ’23: Netflix acquires worldwide rights to “Mountain Queen” doc
-
World of Wonder teams with Blue Ant, Crave on “Slaycation” format
-
“Drop Dead City” wins Library of Congress Lavine/Ken Burns Prize for Film
-
TIFF ’23: Greenwich Entertainment acquires N.A. distribution rights to “Sorry/Not Sorry”
-
BBC commissions social inquiry series “Mind the Gap” from Tern
-
Extra: Double Agent preps Burning Man doc; “Thank You Very Much” wins Venice doc prize
Newsletter