Crime cues: production music tips for true crime content

Realscreen talked to composers and music house execs about how to ensure the music in your true crime project doesn't come off as criminally cliche.
June 7, 2016

Realscreen talked to composers and music house execs about how to ensure the music in your true crime project doesn't come off as criminally cliche.

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About The Author
Barry Walsh is editor-in-chief and content director for Realscreen, and has served as editor of the publication since 2009. With a career in entertainment media that spans two decades, prior to Realscreen, he held the associate editor post for now defunct sister publication Boards, which focused on the advertising and commercial production industries. Before Boards, he served as editor of Canadian Music Network, a weekly music industry trade, and as music editor for HMV.com. As content director, he also oversees the development of content for the brand's market-leading events, the Realscreen Summit and Realscreen West, as well as new content initiatives.

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