Docs

IDFA ’13: Kartemquin, Cargo pen “American Arab” deal

Cargo Film & Releasing has acquired all international rights, excluding the U.S., for Kartemquin Films' hour-long doc American Arab (pictured).
November 28, 2013

Cargo Film & Releasing has acquired all international rights, excluding the U.S., for Kartemquin Films’ hour-long doc American Arab (pictured).

The New York-based documentary sales agent struck the deal with Chicago-based Kartemquin following the IDFA world premiere of Iraqi-born director Usama Alshaibi’s doc, which offers “a provocative, personal look at look at the contradictions of Arab identity in post 9/11 America,” according to Kartemquin.

Negotiations were finalized in Amsterdam this week by Cargo’s David Piperni, and Kartemquin’s Gordon Quinn and Justine Nagan, along with director Alshaibi. The film is screening at IDFA in the mid-length doc category.

American Arab is a project from Kartemquin’s first Diversity Fellowship, sponsored by The John D. and Catherine T. MacArthur Foundation and The Ford Foundation, with additional funding from the Center for Asian-American Media (CAAM).

The film is one of three Kartemquin documentaries featured at IDFA, with Dan Rybicky and Aaron Wickenden’s Almost There selected as a Central Pitch at the IDFA Forum; and The Trials of Muhammad Ali, directed by Bill Siegel, enjoying its European premiere.

About The Author
Andrew Tracy joined Realscreen as associate editor in 2021, following 17 years as managing editor of the award-winning international film magazine Cinema Scope. From 2010 to 2020 he also held the position of senior editor at the Toronto International Film Festival, where he oversaw the flagship publication for the organization’s year-round Cinematheque programming and edited its first original monograph in a decade, Steve Gravestock’s A History of Icelandic Film. He was a scriptwriter and consultant on the first season of the Vice TV series The Vice Guide to Film, and his writing and reporting have been featured in such outlets as Cinema Scope, Reverse Shot, Sight & Sound, Cineaste, Film Comment, MUBI Notebook, POV, and Montage.

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