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SXSW ’18: “TransMilitary,” “Dawn Wall” take Audience Awards
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History preps premium doc strand with Herzog, Kopple films
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“Mercury 13,” “Bisbee ’17” head to SFFILM Festival ’18
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“People’s Republic of Desire” takes SXSW Grand Jury award
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Richard Poplak, Diana Neille’s “Agents of Influence” among Hot Docs Forum picks
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Hot Docs ’18 adds to Special Presentations program
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Canadian Screen Awards, Thessaloniki hand out non-fiction prizes
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“The Providers,” “The Pushouts” to debut at Full Frame ’18
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Liz Garbus’ “The Fourth Estate” to close Tribeca ’18
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“The Accused,” “The Detectives” up for RTS Programme Awards
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Extra: DOK Leipzig opens entry call; Blue Ant buys Aussie nature mag
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Netflix acquires “Shirkers,” “Zion”
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Hot Docs ’18 reveals Special Presentations program
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“Welcome to Sodom,” “The Raft” to compete at CPH:DOX
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Full Frame ’18: Joe Berlinger to curate; Jehane Noujaim honored with Tribute award
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“San Quentin Prison Marathon,” “Exposure” win Rogovy funding
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Extra: BBCWW unveils most-watched shows; Scorpion TV content goes global
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Field of Vision launches fellowship program
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Extra: Sat.1 grabs “Year to Remember”; Olympic Channel debuts “Far From Home”
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SXSW unveils docs lineup; “Garry Winogrand,” “Gospel of Eureka” among premieres
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HBO picks up Sundance doc “The Oslo Diaries”
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“Kailash,” “Of Fathers and Sons” take doc prizes at Sundance ’18
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Magnolia Pictures, Participant Media acquire “RBG”
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Sundance ’18: The evolving doc distribution landscape
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