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TIFF ’13: Art, wildlife and Hollywood converge in “Midway”
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TIFF ’13: The buzz behind “Burt’s Buzz”
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TIFF ’13: Show us the numbers
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TIFF ’13: Cohen Media snags “Last of the Unjust”
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TIFF ’13: Jarecki to make doc on Robert Durst trial
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TIFF ’13: NonStop takes “When Jews Were Funny”
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TIFF ’13: Avrich eyes Penthouse with “Filthy Gorgeous”
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“Invisible War,” “Interrupters,” “Bully” vie for Puma award
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TIFF ’13 Exclusive: The long search for “Vivian Maier”
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TIFF ’13: Cinephil boards “Mission Congo”
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TIFF ’13: FilmBuff takes on “Burt’s Buzz”
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Feature Docs Submarine, Dakota Group, NFP launch Periscope Pictures
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Venice ’13: “Sacro GRA” takes Golden Lion
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Chicken & Egg Pictures appoints first exec director
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TIFF ’13: BravoFACT to offer short doc grants
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TIFF ’13: Fewer docs for sale as deals done earlier
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TIFF ’13: The Exchange picks up “Made in America”
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TIFF ’13: Dogwoof takes int’l rights to “Dangerous Acts”
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TIFF ’13: Revisiting the “Unjust”
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“Cutie,” “Berkeley,” “Teenage” set for London Film Festival
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Journey doc to kick off ‘Independent Lens’
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TIFF ’13: Toronto adds last-minute “Salinger” screening
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Venice ’13: Venturing into the “Unknown”
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Dogwoof buys “Chameleon,” sells “Village”
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