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SXSW ’14: “Vessel,” “DamNation” win audience awards
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SXSW ’14: The road map to “Evaporating Borders”
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SXSW ’14: Berkeley enters a comedian’s psyche in “Harmontown”
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(Updated) SXSW ’14: Four killed, many injured after car crashes into crowd
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SXSW ’14: First-time director sets sail with “Vessel”
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SXSW ’14: “The Great Invisible” triumphs in Texas
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SXSW ’14: Staying forever young in “The Immortalists”
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SXSW ’14: Sculpting a “Legend”
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SXSW ’14: Doc trailer round-up
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SXSW ’14 Exclusive: First look at “The Winding Stream”
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Participant, FilmBuff, Pivot take on Aaron Swartz doc
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SXSW reveals doc competition titles
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Feature Docs
Dogwoof takes “Supermensch” for world outside U.S.
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“Cosmos,” “Doc of the Dead” set for SXSW 2014
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Netflix plays “The Short Game”
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Doc/Fest to discuss festival programming, politics
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Hot Docs ’13: Two Schnacks for the price of one
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SXSW ’13: “Windmill,” “Strangers” triumph in Austin
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SXSW ’13: Moll doc to tackle modern-day farmers
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NGC takes “The ’80s” to SXSW
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SXSW reveals competition line-up
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Spitfire to premiere F1 doc “1” in Texas
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SXSW courts entrepreneurs with Vegas event
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IFC Midnight picks up Jeffrey Dahmer doc