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“Made in America” and “White Helmets” take home Oscars
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Smithsonian Channel special honors WWI centennial
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Exclusive: Tribeca Film Institute puts focus on short docs
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“Bloodthicker,” “Border South” get Tribeca All Access grants
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“City of Ghosts,” “DRIB” to compete at CPH:DOX
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Berlinale ’17: “Ghost Hunting” wins doc prize
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Syria’s White Helmets members to attend Oscars
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“Tokyo Phoenix” to premiere at MIPDoc ’17
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PBS ‘POV’ picks up Oscar-nominated “4.1 Miles”
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Submissions open for DocsBarcelona 2017
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Mizrahi, Jakovleski make up True/False ’17 lineup
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Call out for 2017 MIPTV Picks submissions
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Content Media, CNN Films acquire “Elian”
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“Waste Nation,” “Invisibles” headed to AIDC pitching forum
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Docs in Thessaloniki reveals pitch line-up
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“Last Men in Aleppo” to open CPH:DOX 2017
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Nanfu Wang, Lysa Heslov make up SXSW ’17 line-up
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BBC4 and BFI Network fund new opportunity for filmmakers
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“Alone” picks up Sundance short Non-Fiction Award
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Realscreen Summit: From pitching docs to surviving danger zones
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Sundance ’17: Stanley Nelson’s “Tell Them We Are Rising”
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Prime Entertainment secures 163 hours of content
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Sundance ’17: Barak Goodman’s “Oklahoma City”
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Sundance ’17: Viceland’s focus on indigenous resistance in “Rise”
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UKTV chief creative officer Richard Watsham stepping down after 14 years with network
Disney, Hearst exploring potential sale of A+E Global Media: reports
Exclusive: True/False, Catapult Film Fund reveal 2025 Rough Cut Retreat mentors and projects
Heather Haynes, Elizabeth Radshaw exit Hot Docs
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