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Summit ’19: How to ride the true crime and doc waves
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Hot Docs awards first-time recipients of CrossCurrents Doc fund program
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Summit ’19: “Surviving R. Kelly” and the power of TV storytelling
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Sheffield Doc/Fest launches 2019 Alternate Realities Commission
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Oxygen Media, IPC and Eureka to explore dangerous world of cults
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Netflix, James Honeyborne ink multi-year overall deal
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Peter Jackson to direct Beatles archive doc on “Let It Be” recording sessions
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Summit ’19: Discovery’s Nancy Daniels on the new realities of cable TV
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Summit ’19: Thriving as a mid-level producer; the portability of digital content
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World of Wonder producing feature doc “Freedia Got a Gun”
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Sundance ’19: Matt Tyrnauer’s “Where’s My Roy Cohn?” lands at Sony Pictures Classics
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Exclusive: Love Nature, Plimsoll Productions link on “Big Cat Country”
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Sundance ’19: Nanfu Wang & Jialing Zhang’s “One Child Nation”
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Sundance ’19: CNN Films heads to the Moon with “Apollo 11”
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Imagine Documentaries, Nat Geo team for “Rebuilding Paradise”
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Sundance ’19: Doc distributors round-up, part two
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Smithsonian Channel preps one-off special “The Green Book: Guide To Freedom”
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Sundance ’19: Doc distributors round-up, part one
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Extra: Prodco From the Woods launches; Kew Media content heads to LatAm
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A&E slates “Studio 54” for February premiere date
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Exclusive: Fuse preps new titles in “Fuse Docs” series, launches indie film franchise
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Hot Docs to highlight Italian docs, honor Julia Reichert, Julia Ivanova
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Sundance ’19: Alex Gibney on building “The Inventor: Out for Blood in Silicon Valley”
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Veteran producer William Woods launches boutique distribution firm
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